Film Blog

Django Unchained

posted by the hanging out team - Thursday, February 07, 2013

 image is copyright of the Weinstein Company

The name Tarantino brings with it some expectation when walking in to a screening of one of his films. Apart from the inevitable controversy, trailers, and interviews (including a particularly toe curling channel 4 one http://www.youtube.com/watch?v=GrsJDy8VjZk) announcing its arrival, the very fact that it carries the name Tarantino meant I went into that cinema screening with rather a lot of presumptions; it was going to be violent, bloody, frenetic, and over the top, and, well, I wasn’t wrong.

‘Django Unchained’ is set in 1858 in the America’s Deep South just before the abolition of slavery. It’s a period in American history which seems to be getting some cinematic attention recently (courtesy of Mr Spielberg as well as a certain presidential vampire hunter), but Django is a very different beast from them both. The film follows a former dentist, now bounty hunter, Dr King Schultz, who buys the freedom of the slave Django to help complete a job. Along the way, the narrative turns to revenge as Django, aided by the doctor, enacts his vengeance on those white racists who’ve abused him, his wife, and other slaves in numerous different and brutal ways.

‘Django Unchained’ has its entertaining scenes including a particularly comic one in which the Ku Klux Klan struggle with the shoddily cut eye holes in their home made hoods. There are great performances; a brilliantly vile Leonardo DiCaprio chews up the scenery and sneers as he does so as the slave owner and business man Calvin Candie, and Christoph Waltz does a decent job as Dr. King Schultz. The mix-tape like soundtrack of contemporary pop songs woven in with the period setting works, and there are some tense moments, particularly in a scene round a dinner table, in which Dr Schultz and Django try to dupe the pernicious Mr Candie. The problem is these moments occur within a film which feels completely over-stuffed, and way over-long.

There are exciting, frenetic sequences of hyper, explosive, ‘watered-down-ketchup’ style violence where Django bloodies up his oppressors, but they sit uneasily with another type of violence. Slaves are tied up, whipped, abused, and ripped apart by dogs, and these moments don’t sit well alongside the stylized pulpy violence more familiar to Tarantino. Another irk of ‘Django Unchained’ is its use of racial epithets. The dialogue is peppered with that n-word, and contrary to the director’s claim, it doesn’t seem to me to be there for the purpose of historical accuracy (instead I imagine the gleeful grin on Quentin’s face as he wrote them in, “oh boy, oh boy, this is gonna make ‘em mad!”).

It’s unfortunate, because there is a better film in there somewhere, but ultimately ‘Django Unchained’ is too much; too long, and far too indulgent.

Showing now at Rich Mix cinema, click here for details.

By Nicholas Beer.

Recent Posts


Ky-mani Marley Michael Fanti Magnolia screenwriter Bocage The Harder They Come Hans Zimmer Washington free North Jeremy Kleiner Quentin Tarantino Bryan Batt Louisiana Slaves Fantasy carpenter Bass Sue Eakin Saratoga Springs Drama Peter Sarsgaard Morgan Heritage Bill Pohlad Britney Spears Jay Huguley controversy Richard Parker Slavery Illustrator Yvonne Deutschman Paul Dano Best Picture Lupita Nyong'o Writer The Life of Pi Idris Elba Oscars Devyn A. Tyler Adepero Oduye 2013 Sundance Film Festival Quvenzhané Wallis Brixton Riots Factory Fifteen violent Destrehan Django Unchained Bob Marley’s son Frank Langella The Avengers novelist Black Friday New York State Robots of Brixton Dede Gardner Madonna HBO TV Zanzibar Garret Dillahunt Hanging Out channel 4 interview Hanging Out Project Cameron Zeigler Jonah Don Letts Michael Shannon Robert Redford CGI Joe Walker Trevor D Rhone Zack Snyder Joseph Logsdon Deep South Benghal Tiger long take Rick Elgood fieldslave African American Best Director Christopher Berry Stoker Prometheus Rob Steinberg Shaggy Sizzla best motion picture revenge Patsey Kilburn 50th Anniversary of Jamaica’s independence United States drugged Chiwetel Ejiofor Christoph Waltz Kibwe Tavares Russell Crowe Man of Steel tricked true story Platt cotton Robot and Frank Brad Pitt Leonardo DiCaprio Michael K. Williams freedom Poster Rich Mix Memory Loss Ruth Negga Steve McQueen memoir Kelsey Scott New Orleans British epic Science Fiction Superman nine Academy Award 2014 Golden Globes Sly and Robbie Jamaica Sean Bobbitt marek tarkowski Elam Forrester Chris Chalk Solomon Northup overseer historical lynching Wyclef Jean Cherine Anderson Arnon Milchan Ang Lee 12 Years a Slave Henry Caville Scoot McNairy west end pub Dwight Henry Michael Fassbender Jamie Foxx America Bob Marley 1853 Sarah Paulson Benedict Cumberbatch Sean Paul Anthony Katagas Dementia Bill Camp film freeman John Ridley Paul Giamatti violence One Love Bethnal Green Regency Enterprises Taran Killam walk the line Felicity Best Actor short film 150 years ago Sundance Film Festival Alfre Woodard black man


    Business Hubs

    Tuareg Productions LTD
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space