Film Blog

Django Unchained

posted by the hanging out team - Thursday, February 07, 2013

 image is copyright of the Weinstein Company

The name Tarantino brings with it some expectation when walking in to a screening of one of his films. Apart from the inevitable controversy, trailers, and interviews (including a particularly toe curling channel 4 one http://www.youtube.com/watch?v=GrsJDy8VjZk) announcing its arrival, the very fact that it carries the name Tarantino meant I went into that cinema screening with rather a lot of presumptions; it was going to be violent, bloody, frenetic, and over the top, and, well, I wasn’t wrong.

‘Django Unchained’ is set in 1858 in the America’s Deep South just before the abolition of slavery. It’s a period in American history which seems to be getting some cinematic attention recently (courtesy of Mr Spielberg as well as a certain presidential vampire hunter), but Django is a very different beast from them both. The film follows a former dentist, now bounty hunter, Dr King Schultz, who buys the freedom of the slave Django to help complete a job. Along the way, the narrative turns to revenge as Django, aided by the doctor, enacts his vengeance on those white racists who’ve abused him, his wife, and other slaves in numerous different and brutal ways.

‘Django Unchained’ has its entertaining scenes including a particularly comic one in which the Ku Klux Klan struggle with the shoddily cut eye holes in their home made hoods. There are great performances; a brilliantly vile Leonardo DiCaprio chews up the scenery and sneers as he does so as the slave owner and business man Calvin Candie, and Christoph Waltz does a decent job as Dr. King Schultz. The mix-tape like soundtrack of contemporary pop songs woven in with the period setting works, and there are some tense moments, particularly in a scene round a dinner table, in which Dr Schultz and Django try to dupe the pernicious Mr Candie. The problem is these moments occur within a film which feels completely over-stuffed, and way over-long.

There are exciting, frenetic sequences of hyper, explosive, ‘watered-down-ketchup’ style violence where Django bloodies up his oppressors, but they sit uneasily with another type of violence. Slaves are tied up, whipped, abused, and ripped apart by dogs, and these moments don’t sit well alongside the stylized pulpy violence more familiar to Tarantino. Another irk of ‘Django Unchained’ is its use of racial epithets. The dialogue is peppered with that n-word, and contrary to the director’s claim, it doesn’t seem to me to be there for the purpose of historical accuracy (instead I imagine the gleeful grin on Quentin’s face as he wrote them in, “oh boy, oh boy, this is gonna make ‘em mad!”).

It’s unfortunate, because there is a better film in there somewhere, but ultimately ‘Django Unchained’ is too much; too long, and far too indulgent.

Showing now at Rich Mix cinema, click here for details.

By Nicholas Beer.

Recent Posts


free North Black Friday Scoot McNairy Illustrator Felicity Benghal Tiger Arnon Milchan Paul Dano Frank Langella Saratoga Springs Christoph Waltz Shaggy Quvenzhané Wallis channel 4 interview tricked Chiwetel Ejiofor Jamaica Sean Paul Memory Loss Bocage Wyclef Jean 1853 CGI Chris Chalk Factory Fifteen walk the line Morgan Heritage Best Picture true story violence carpenter Bass Kibwe Tavares Madonna The Life of Pi Deep South Leonardo DiCaprio Yvonne Deutschman Don Letts 50th Anniversary of Jamaica’s independence Richard Parker nine Academy Award Jamie Foxx Louisiana Bill Pohlad Lupita Nyong'o controversy Dwight Henry Sue Eakin African American Ruth Negga Zanzibar 150 years ago Solomon Northup Bill Camp Drama Britney Spears Regency Enterprises Rich Mix Writer historical Sundance Film Festival Best Director marek tarkowski Kilburn Brad Pitt Adepero Oduye Jonah Sean Bobbitt Joe Walker America Alfre Woodard Joseph Logsdon Ang Lee Washington Kelsey Scott John Ridley British epic overseer cotton Trevor D Rhone Hanging Out Project Cameron Zeigler The Harder They Come Sizzla Hanging Out freedom Ky-mani Marley Bob Marley’s son Garret Dillahunt Robert Redford film Steve McQueen Man of Steel The Avengers Bryan Batt lynching Platt Rob Steinberg Bob Marley fieldslave Rick Elgood Michael Fassbender Superman long take Idris Elba Peter Sarsgaard novelist Slaves One Love Robots of Brixton drugged United States Patsey Magnolia Prometheus Michael K. Williams Oscars Sarah Paulson Sly and Robbie Christopher Berry Russell Crowe Jeremy Kleiner Fantasy Dede Gardner memoir revenge screenwriter New Orleans 2013 Sundance Film Festival Science Fiction Brixton Riots Michael Fanti Dementia Quentin Tarantino Michael Shannon violent HBO TV 12 Years a Slave 2014 Golden Globes Benedict Cumberbatch Django Unchained Jay Huguley Zack Snyder black man short film Robot and Frank Elam Forrester Destrehan Devyn A. Tyler Cherine Anderson best motion picture Anthony Katagas Slavery Bethnal Green Paul Giamatti New York State west end pub Stoker Henry Caville Taran Killam Best Actor Hans Zimmer Poster freeman


    Business Hubs

    Tuareg Productions LTD
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space