Film Blog

Django Unchained

posted by the hanging out team - Thursday, February 07, 2013

 image is copyright of the Weinstein Company

The name Tarantino brings with it some expectation when walking in to a screening of one of his films. Apart from the inevitable controversy, trailers, and interviews (including a particularly toe curling channel 4 one http://www.youtube.com/watch?v=GrsJDy8VjZk) announcing its arrival, the very fact that it carries the name Tarantino meant I went into that cinema screening with rather a lot of presumptions; it was going to be violent, bloody, frenetic, and over the top, and, well, I wasn’t wrong.

‘Django Unchained’ is set in 1858 in the America’s Deep South just before the abolition of slavery. It’s a period in American history which seems to be getting some cinematic attention recently (courtesy of Mr Spielberg as well as a certain presidential vampire hunter), but Django is a very different beast from them both. The film follows a former dentist, now bounty hunter, Dr King Schultz, who buys the freedom of the slave Django to help complete a job. Along the way, the narrative turns to revenge as Django, aided by the doctor, enacts his vengeance on those white racists who’ve abused him, his wife, and other slaves in numerous different and brutal ways.

‘Django Unchained’ has its entertaining scenes including a particularly comic one in which the Ku Klux Klan struggle with the shoddily cut eye holes in their home made hoods. There are great performances; a brilliantly vile Leonardo DiCaprio chews up the scenery and sneers as he does so as the slave owner and business man Calvin Candie, and Christoph Waltz does a decent job as Dr. King Schultz. The mix-tape like soundtrack of contemporary pop songs woven in with the period setting works, and there are some tense moments, particularly in a scene round a dinner table, in which Dr Schultz and Django try to dupe the pernicious Mr Candie. The problem is these moments occur within a film which feels completely over-stuffed, and way over-long.

There are exciting, frenetic sequences of hyper, explosive, ‘watered-down-ketchup’ style violence where Django bloodies up his oppressors, but they sit uneasily with another type of violence. Slaves are tied up, whipped, abused, and ripped apart by dogs, and these moments don’t sit well alongside the stylized pulpy violence more familiar to Tarantino. Another irk of ‘Django Unchained’ is its use of racial epithets. The dialogue is peppered with that n-word, and contrary to the director’s claim, it doesn’t seem to me to be there for the purpose of historical accuracy (instead I imagine the gleeful grin on Quentin’s face as he wrote them in, “oh boy, oh boy, this is gonna make ‘em mad!”).

It’s unfortunate, because there is a better film in there somewhere, but ultimately ‘Django Unchained’ is too much; too long, and far too indulgent.

Showing now at Rich Mix cinema, click here for details.

By Nicholas Beer.

Recent Posts


Kibwe Tavares Cameron Zeigler Christopher Berry overseer Slavery Jeremy Kleiner Jonah fieldslave Frank Langella Michael Shannon Jamaica Alfre Woodard Bethnal Green 2014 Golden Globes Oscars novelist Dwight Henry Bryan Batt memoir 1853 Sundance Film Festival Idris Elba Destrehan America Felicity nine Academy Award Patsey Man of Steel Ang Lee freeman tricked Steve McQueen drugged Deep South British epic Ky-mani Marley Slaves screenwriter Russell Crowe Yvonne Deutschman Platt Scoot McNairy Brixton Riots HBO TV Bill Pohlad United States Science Fiction Poster Paul Dano Arnon Milchan Henry Caville John Ridley Wyclef Jean CGI Sue Eakin Bocage Black Friday Jamie Foxx Don Letts Writer Ruth Negga Robert Redford Illustrator Rich Mix Joe Walker Morgan Heritage The Harder They Come 150 years ago Best Actor west end pub Trevor D Rhone Taran Killam Cherine Anderson Solomon Northup Sean Paul lynching historical violent carpenter Bass revenge Django Unchained 50th Anniversary of Jamaica’s independence Stoker Adepero Oduye cotton African American short film Regency Enterprises Sizzla Richard Parker One Love New York State controversy Madonna Paul Giamatti Washington Kelsey Scott Bob Marley’s son Anthony Katagas Leonardo DiCaprio The Avengers Robots of Brixton Peter Sarsgaard Shaggy Sly and Robbie Superman black man Rick Elgood free North Best Director Dementia Best Picture Jay Huguley Bob Marley Factory Fifteen Drama Lupita Nyong'o Quentin Tarantino violence Bill Camp Robot and Frank Michael K. Williams Fantasy Christoph Waltz true story 2013 Sundance Film Festival Sarah Paulson channel 4 interview Memory Loss Kilburn walk the line Chris Chalk Joseph Logsdon Michael Fanti Dede Gardner Chiwetel Ejiofor Saratoga Springs Zanzibar Hanging Out Hans Zimmer Britney Spears long take best motion picture marek tarkowski Brad Pitt Louisiana Hanging Out Project 12 Years a Slave Quvenzhané Wallis New Orleans Zack Snyder The Life of Pi Garret Dillahunt film Prometheus Devyn A. Tyler Michael Fassbender Benghal Tiger Magnolia Sean Bobbitt Elam Forrester Benedict Cumberbatch freedom Rob Steinberg


    Business Hubs

    Tuareg Productions LTD
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space