Film Blog

Django Unchained

posted by the hanging out team - Thursday, February 07, 2013

 image is copyright of the Weinstein Company

The name Tarantino brings with it some expectation when walking in to a screening of one of his films. Apart from the inevitable controversy, trailers, and interviews (including a particularly toe curling channel 4 one http://www.youtube.com/watch?v=GrsJDy8VjZk) announcing its arrival, the very fact that it carries the name Tarantino meant I went into that cinema screening with rather a lot of presumptions; it was going to be violent, bloody, frenetic, and over the top, and, well, I wasn’t wrong.

‘Django Unchained’ is set in 1858 in the America’s Deep South just before the abolition of slavery. It’s a period in American history which seems to be getting some cinematic attention recently (courtesy of Mr Spielberg as well as a certain presidential vampire hunter), but Django is a very different beast from them both. The film follows a former dentist, now bounty hunter, Dr King Schultz, who buys the freedom of the slave Django to help complete a job. Along the way, the narrative turns to revenge as Django, aided by the doctor, enacts his vengeance on those white racists who’ve abused him, his wife, and other slaves in numerous different and brutal ways.

‘Django Unchained’ has its entertaining scenes including a particularly comic one in which the Ku Klux Klan struggle with the shoddily cut eye holes in their home made hoods. There are great performances; a brilliantly vile Leonardo DiCaprio chews up the scenery and sneers as he does so as the slave owner and business man Calvin Candie, and Christoph Waltz does a decent job as Dr. King Schultz. The mix-tape like soundtrack of contemporary pop songs woven in with the period setting works, and there are some tense moments, particularly in a scene round a dinner table, in which Dr Schultz and Django try to dupe the pernicious Mr Candie. The problem is these moments occur within a film which feels completely over-stuffed, and way over-long.

There are exciting, frenetic sequences of hyper, explosive, ‘watered-down-ketchup’ style violence where Django bloodies up his oppressors, but they sit uneasily with another type of violence. Slaves are tied up, whipped, abused, and ripped apart by dogs, and these moments don’t sit well alongside the stylized pulpy violence more familiar to Tarantino. Another irk of ‘Django Unchained’ is its use of racial epithets. The dialogue is peppered with that n-word, and contrary to the director’s claim, it doesn’t seem to me to be there for the purpose of historical accuracy (instead I imagine the gleeful grin on Quentin’s face as he wrote them in, “oh boy, oh boy, this is gonna make ‘em mad!”).

It’s unfortunate, because there is a better film in there somewhere, but ultimately ‘Django Unchained’ is too much; too long, and far too indulgent.

Showing now at Rich Mix cinema, click here for details.

By Nicholas Beer.

Recent Posts


Morgan Heritage Bill Pohlad Michael K. Williams Adepero Oduye Robot and Frank Hans Zimmer 2014 Golden Globes freedom Devyn A. Tyler Bocage The Harder They Come Christoph Waltz Sundance Film Festival 12 Years a Slave Paul Giamatti violence Memory Loss Christopher Berry Jamie Foxx Destrehan Taran Killam Jeremy Kleiner Zack Snyder Black Friday Robots of Brixton Man of Steel John Ridley Peter Sarsgaard Stoker Joseph Logsdon Sue Eakin tricked One Love drugged Kibwe Tavares historical Django Unchained Richard Parker Slavery New York State nine Academy Award channel 4 interview west end pub Bob Marley violent Henry Caville Sizzla freeman Patsey America Kilburn Fantasy Washington Ang Lee Rob Steinberg Sean Bobbitt Best Director Bill Camp Hanging Out Cherine Anderson Quvenzhané Wallis Don Letts HBO TV Hanging Out Project Sarah Paulson free North British epic fieldslave Bryan Batt Jamaica black man Joe Walker 2013 Sundance Film Festival Illustrator African American Alfre Woodard Shaggy lynching Britney Spears Ruth Negga walk the line overseer revenge Bethnal Green The Avengers Ky-mani Marley Madonna Quentin Tarantino Scoot McNairy Benedict Cumberbatch Solomon Northup Bob Marley’s son Jonah Chiwetel Ejiofor Rich Mix Arnon Milchan Steve McQueen Elam Forrester Science Fiction Dede Gardner 50th Anniversary of Jamaica’s independence carpenter Bass Writer Russell Crowe Saratoga Springs Brad Pitt Kelsey Scott Frank Langella 1853 CGI long take New Orleans United States Rick Elgood The Life of Pi Magnolia Dwight Henry Paul Dano Prometheus Drama Lupita Nyong'o memoir Michael Fassbender screenwriter Best Actor controversy Dementia film Louisiana Oscars Poster Chris Chalk Factory Fifteen true story Wyclef Jean Regency Enterprises Brixton Riots Idris Elba Best Picture marek tarkowski short film Felicity Cameron Zeigler 150 years ago cotton Trevor D Rhone best motion picture Michael Shannon Zanzibar Deep South Yvonne Deutschman Jay Huguley Sean Paul Superman Anthony Katagas novelist Garret Dillahunt Robert Redford Benghal Tiger Sly and Robbie Leonardo DiCaprio Michael Fanti Platt Slaves


    Business Hubs

    Tuareg Productions LTD
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space