Film Blog

Django Unchained

posted by the hanging out team - Thursday, February 07, 2013

 image is copyright of the Weinstein Company

The name Tarantino brings with it some expectation when walking in to a screening of one of his films. Apart from the inevitable controversy, trailers, and interviews (including a particularly toe curling channel 4 one http://www.youtube.com/watch?v=GrsJDy8VjZk) announcing its arrival, the very fact that it carries the name Tarantino meant I went into that cinema screening with rather a lot of presumptions; it was going to be violent, bloody, frenetic, and over the top, and, well, I wasn’t wrong.

‘Django Unchained’ is set in 1858 in the America’s Deep South just before the abolition of slavery. It’s a period in American history which seems to be getting some cinematic attention recently (courtesy of Mr Spielberg as well as a certain presidential vampire hunter), but Django is a very different beast from them both. The film follows a former dentist, now bounty hunter, Dr King Schultz, who buys the freedom of the slave Django to help complete a job. Along the way, the narrative turns to revenge as Django, aided by the doctor, enacts his vengeance on those white racists who’ve abused him, his wife, and other slaves in numerous different and brutal ways.

‘Django Unchained’ has its entertaining scenes including a particularly comic one in which the Ku Klux Klan struggle with the shoddily cut eye holes in their home made hoods. There are great performances; a brilliantly vile Leonardo DiCaprio chews up the scenery and sneers as he does so as the slave owner and business man Calvin Candie, and Christoph Waltz does a decent job as Dr. King Schultz. The mix-tape like soundtrack of contemporary pop songs woven in with the period setting works, and there are some tense moments, particularly in a scene round a dinner table, in which Dr Schultz and Django try to dupe the pernicious Mr Candie. The problem is these moments occur within a film which feels completely over-stuffed, and way over-long.

There are exciting, frenetic sequences of hyper, explosive, ‘watered-down-ketchup’ style violence where Django bloodies up his oppressors, but they sit uneasily with another type of violence. Slaves are tied up, whipped, abused, and ripped apart by dogs, and these moments don’t sit well alongside the stylized pulpy violence more familiar to Tarantino. Another irk of ‘Django Unchained’ is its use of racial epithets. The dialogue is peppered with that n-word, and contrary to the director’s claim, it doesn’t seem to me to be there for the purpose of historical accuracy (instead I imagine the gleeful grin on Quentin’s face as he wrote them in, “oh boy, oh boy, this is gonna make ‘em mad!”).

It’s unfortunate, because there is a better film in there somewhere, but ultimately ‘Django Unchained’ is too much; too long, and far too indulgent.

Showing now at Rich Mix cinema, click here for details.

By Nicholas Beer.

Recent Posts


Hanging Out tricked Lupita Nyong'o Yvonne Deutschman Man of Steel United States Arnon Milchan Kelsey Scott Slavery Prometheus The Life of Pi Memory Loss Michael Fassbender Factory Fifteen Dwight Henry Paul Dano Fantasy Rich Mix Rick Elgood overseer channel 4 interview violent Bryan Batt Stoker Felicity freedom nine Academy Award Kibwe Tavares Sly and Robbie Michael Shannon America Britney Spears Don Letts Best Picture Regency Enterprises Poster true story Idris Elba Oscars 2014 Golden Globes Chiwetel Ejiofor freeman Taran Killam Leonardo DiCaprio Bill Camp fieldslave Jamie Foxx Chris Chalk Quentin Tarantino Michael Fanti Patsey Scoot McNairy Kilburn Robot and Frank Sean Paul Morgan Heritage HBO TV Brad Pitt free North Alfre Woodard Deep South Dementia short film Richard Parker Peter Sarsgaard memoir Best Actor Wyclef Jean African American Paul Giamatti Shaggy black man Jay Huguley Robots of Brixton Rob Steinberg Ruth Negga Garret Dillahunt lynching Brixton Riots novelist best motion picture Dede Gardner long take British epic Bill Pohlad marek tarkowski Zack Snyder Steve McQueen Elam Forrester Christoph Waltz carpenter Bass historical Drama Science Fiction Sue Eakin Ky-mani Marley Bob Marley Bob Marley’s son New York State 50th Anniversary of Jamaica’s independence 150 years ago Hans Zimmer Writer Platt Black Friday Christopher Berry violence Sundance Film Festival Robert Redford revenge Sarah Paulson The Avengers Bocage 12 Years a Slave Ang Lee Django Unchained Madonna Jeremy Kleiner walk the line Anthony Katagas Adepero Oduye Jamaica cotton CGI John Ridley Illustrator Joe Walker Saratoga Springs Cherine Anderson Quvenzhané Wallis The Harder They Come Slaves Frank Langella Louisiana Magnolia Michael K. Williams Solomon Northup Cameron Zeigler Benghal Tiger Devyn A. Tyler Russell Crowe Sean Bobbitt 1853 Bethnal Green drugged screenwriter Trevor D Rhone Henry Caville Destrehan Superman Sizzla controversy One Love Best Director 2013 Sundance Film Festival Jonah Joseph Logsdon Benedict Cumberbatch west end pub Hanging Out Project New Orleans Washington film Zanzibar


    Business Hubs

    Tuareg Productions LTD
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space