Film Blog

Django Unchained

posted by the hanging out team - Thursday, February 07, 2013

 image is copyright of the Weinstein Company

The name Tarantino brings with it some expectation when walking in to a screening of one of his films. Apart from the inevitable controversy, trailers, and interviews (including a particularly toe curling channel 4 one http://www.youtube.com/watch?v=GrsJDy8VjZk) announcing its arrival, the very fact that it carries the name Tarantino meant I went into that cinema screening with rather a lot of presumptions; it was going to be violent, bloody, frenetic, and over the top, and, well, I wasn’t wrong.

‘Django Unchained’ is set in 1858 in the America’s Deep South just before the abolition of slavery. It’s a period in American history which seems to be getting some cinematic attention recently (courtesy of Mr Spielberg as well as a certain presidential vampire hunter), but Django is a very different beast from them both. The film follows a former dentist, now bounty hunter, Dr King Schultz, who buys the freedom of the slave Django to help complete a job. Along the way, the narrative turns to revenge as Django, aided by the doctor, enacts his vengeance on those white racists who’ve abused him, his wife, and other slaves in numerous different and brutal ways.

‘Django Unchained’ has its entertaining scenes including a particularly comic one in which the Ku Klux Klan struggle with the shoddily cut eye holes in their home made hoods. There are great performances; a brilliantly vile Leonardo DiCaprio chews up the scenery and sneers as he does so as the slave owner and business man Calvin Candie, and Christoph Waltz does a decent job as Dr. King Schultz. The mix-tape like soundtrack of contemporary pop songs woven in with the period setting works, and there are some tense moments, particularly in a scene round a dinner table, in which Dr Schultz and Django try to dupe the pernicious Mr Candie. The problem is these moments occur within a film which feels completely over-stuffed, and way over-long.

There are exciting, frenetic sequences of hyper, explosive, ‘watered-down-ketchup’ style violence where Django bloodies up his oppressors, but they sit uneasily with another type of violence. Slaves are tied up, whipped, abused, and ripped apart by dogs, and these moments don’t sit well alongside the stylized pulpy violence more familiar to Tarantino. Another irk of ‘Django Unchained’ is its use of racial epithets. The dialogue is peppered with that n-word, and contrary to the director’s claim, it doesn’t seem to me to be there for the purpose of historical accuracy (instead I imagine the gleeful grin on Quentin’s face as he wrote them in, “oh boy, oh boy, this is gonna make ‘em mad!”).

It’s unfortunate, because there is a better film in there somewhere, but ultimately ‘Django Unchained’ is too much; too long, and far too indulgent.

Showing now at Rich Mix cinema, click here for details.

By Nicholas Beer.

Recent Posts


Bob Marley’s son Kelsey Scott tricked Sean Paul Henry Caville channel 4 interview Prometheus Sundance Film Festival Patsey America Louisiana nine Academy Award Writer Lupita Nyong'o Factory Fifteen Jeremy Kleiner Drama short film Rick Elgood The Harder They Come marek tarkowski memoir Robots of Brixton Django Unchained Dwight Henry long take freedom Zanzibar Joe Walker Robot and Frank Jay Huguley violence Best Actor Christoph Waltz cotton Regency Enterprises Bocage black man freeman revenge John Ridley Sly and Robbie Stoker Slavery Slaves Benedict Cumberbatch Washington The Life of Pi Rob Steinberg One Love free North Sean Bobbitt Taran Killam Paul Dano Robert Redford Bill Pohlad United States Oscars overseer Jamie Foxx Best Director Bob Marley Adepero Oduye Scoot McNairy Sizzla Fantasy The Avengers Zack Snyder Michael Shannon Frank Langella Memory Loss drugged Bethnal Green Steve McQueen Felicity Dede Gardner true story Wyclef Jean Ky-mani Marley Jonah Poster Best Picture Illustrator controversy west end pub Chiwetel Ejiofor 50th Anniversary of Jamaica’s independence Sarah Paulson Destrehan Yvonne Deutschman 2013 Sundance Film Festival Platt CGI screenwriter Elam Forrester Anthony Katagas African American Arnon Milchan Morgan Heritage Michael Fassbender Kilburn Trevor D Rhone Michael K. Williams novelist Richard Parker Brad Pitt Shaggy Kibwe Tavares Rich Mix walk the line Bryan Batt Cameron Zeigler Sue Eakin Joseph Logsdon 1853 Britney Spears Hanging Out Project Garret Dillahunt Saratoga Springs Michael Fanti Peter Sarsgaard Science Fiction fieldslave Jamaica Bill Camp Leonardo DiCaprio British epic Russell Crowe Superman Idris Elba Devyn A. Tyler Chris Chalk 150 years ago Benghal Tiger carpenter Bass Solomon Northup Quentin Tarantino film New York State Cherine Anderson Alfre Woodard Deep South Paul Giamatti Dementia Man of Steel best motion picture New Orleans Hanging Out Ruth Negga HBO TV historical 12 Years a Slave Magnolia Madonna Ang Lee Hans Zimmer Quvenzhané Wallis Black Friday Don Letts violent Christopher Berry 2014 Golden Globes lynching Brixton Riots


    Business Hubs

    Tuareg Productions LTD
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space
    Hub Space